x❤x

thomasdanthony:

Collar, gouache on A4 cardboard. #painting #illustration #gouache #drawing

thomasdanthony:

Collar, gouache on A4 cardboard.
#painting #illustration #gouache #drawing

stoicmike:

We walked up to visit with 1,000 lady goats doing fire prevention work on the ridge. Just one friendly goatherd and one friendly sheepdog. At night he electrifies his moveable fence by hooking it to a car battery to discourage coyotes and stray dogs. The goats eat everything, poison oak, manzanita, they were even eating dead branches. I’d guess they can clear several acres a day. The last photo is looking back toward our house, which is about on the middle of the ridge to the left of Mt. Tam.

lordofmasks:

Rainbow Warrior
Now in gif form- so sparkly, so magical…

lordofmasks:

Rainbow Warrior

Now in gif form- so sparkly, so magical…

eamo2747 asked: I'm confused about what Beethoven was doing in the black composers post. He was German.

unimaginableunimaginable:

deadcatwithaflamethrower:

whitepeoplestealingculture:

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

Beethoven2

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

deathmaskdeathmask2
Beethoven’s death mask: profile and full face

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

  BeethovenCweb

Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

(read more here)

They whitewashed BEETHOVEN?  O_O

Thank you, history/fact-checking Tumblr.

I now feel the need to go burn every white-skinned image of Beethoven I can find.

beethoven was totally black! how do people not know this?

jk because erasure

xhxix:

digital image, 2014

xhxix:

digital image, 2014

archatlas:

Why Not Hand Over a “Shelter” to Hermit Crabs? Aki Inomata

"In this piece I gave hermit crabs shelters that I had made for them, and if they liked my shelters, they made their shells in them. My idea for this piece first came about when I participated in the “No Man’s land” exhibition that was held in the French Embassy in Japan in 2009. This work is inspired by the fact that the land of the former French Embassy in Japan had been French until October 2009, and became Japanese for the following fifty years, before being returned to France. The same piece of land is peacefully transferred from one country to the other. These kinds of things take place without our being aware of it. On the other hand, similar events are not unrelated to us as individuals. For example, acquiring nationality, moving, and migration. The hermit crabs wearing the shelters I built for them, which imitate the architecture of various countries, appeared to be crossing various national borders. Though the body of the hermit crab is the same, according to the shell it is wearing, its appearance changes completely. It’s as if they were asking, “Who are you?””

supersonicart:

Ed Spence’s Incredible Rearranged Photographs.

After photographing and printing out a photograph of a reflective sheet of paper artist Ed Spence very meticulously cuts out square after square of the original photograph and rearranges the new pieces one by one in a completely new sequence.  The result is stunning.  See more below!

Read More